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Scott Pack

Scott Pack is publisher at The Friday Project, an imprint of HarperCollins.

Dead ends

In general, I find independent publishers to be a stoic bunch. They realise that they have to try 10 times as hard with most retailers to get their books noticed as the big publishers do, but they bear this with good grace. At least they have until now.

There is a rising feeling of rebellion among small publishers. They are beginning to get a bit pissed off. If their books are good enough, and they are prepared to support the ever-increasing demands of retailers, then why shouldn't they have as much of a chance as the big faceless corporations? I am hearing tales of publishers simply being ignored for months, with no replies to emails, letters or calls—a quick "no thank you" is simply good manners. Some publishers are avoiding taking on new books in particular genres as they know they don't stand a hope of being read and considered.

Take Myrmidon Books, a new imprint based in Newcastle. I have been impressed by the remarkably high quality of its list (Thirteen by Sebastian Beaumont is the best thing I have read this year). It has had a torrid time trying to get their books supported by retailers, with only Borders, library suppliers and independents making any sort of effort. This is daft: anyone who took the time to look at or read its books would recognise something special. So I can imagine its delight when The Gift of Rain by Tan Twan Eng was longlisted for the Man Booker Prize last week. I suspect it will find its emails and calls returned a bit more quickly now, but it is a sad indictment of our industry that it has sold far more of that book on export than the combined sales to every bookshop in this country. If the same novel had been published by any of the larger houses, it would have been front-of-store in every high street in the land.

Increasingly Borders is being seen as the last refuge of the independent publisher. Its Independently Published bay is affordable and sells a decent volume of books. No other retailer offers anything close; most are now seen by many indies as black holes that swallow up all submissions and emails with no hope of a response.

Given the current competitive retail climate, this seems daft. Surely stocking and recommending a range of exciting new books that aren't on sale in supermarkets or garage forecourts is a good way to drive incremental sales and market share? But perhaps I am wrong. Maybe selling huge blockbusters at less than cost price is really the way to boost profits. What would I know?

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By Marion Husband

It is terribly difficult for for independents and small presses and it takes at lot of energy and hard work to get noticed in my experience. As a novelist published by a smaller independent I try to do as much as I can myself to sell my books, going out to libraries & reading/writing groups and giving talks to all kinds of groups and societies - my advice - try not to despair and keep plugging away - good writing will get noticed if you work hard at promoting and getting out and about to readings/festivals etc and making contact with readers in what ever way you can. It is hard, though...Maybe I should get a proper job....

20 Aug 07 11:49

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By Kevin

Totally agree Scott, but when the way forward for Waterstones is tropical fish, the future's so bright we'll have to wear snorkels!

21 Aug 07 15:10

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By Bluemoose Books

As an independent publisher we've had great support from Libraries and library supplier. Review coverage for small independents is negligible. If it doesn't come from one of the big boys and started life invariably in London or Edinburgh you are not going to get anything reviewed. Transpublishing author love ins are de rigeur and my authors are now undergoing silicon implants,becoming addicts, and undergoing intensive miserabilist schooling. Our new imprint will be called The Twisted Testicle

21 Aug 07 15:24

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By Martin Large - Hawthorn Press

As an independent publisher, I am not just annoyed by bookshops ignoring our books, but stunned. Waterstone's is refusing to stock our new October children's picture book, Pancakes for Findus, by Sven Nordqvist. What more could they want than a quality book that is a proven seller? It is the first of a nine-book, six million-selling series that is published in 44 languages, and now for the first time in Britain. Pancakes is beautifully illustrated, with a moving story that six-year-olds want retold again and again. These books are world children's classics, but would Waterstone's ever notice?

23 Aug 07 14:54

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By Carlie Lee

Hullo, can I ask a silly question? I've read your post with interest (and its replies), but I don't quite understand why the booksellers prefer big publishers, is it something to do with sale or return deals, or lower unit prices? Also, what role do independent booksellers play in this case? Do they tend to stock only the big publishers?

01 Nov 07 14:12

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