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Beth O'Leary dives into her latest romantic comedy, Swept Away

Beth O'Leary © Holly Bobbins Photography
Beth O'Leary © Holly Bobbins Photography

A one-night stand turns life-threatening when two people wake to find themselves adrift at sea, in O’Leary’s latest, Swept Away.

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The morning after a one-night stand is often filled with hasty goodbyes, regret or even waking up alone, your companion having scarpered in the night. Not so for Lexi and Zeke who, after an impassioned night together, wake up to find themselves stranded aboard a houseboat in the middle of the North Sea. This is the premise of Beth O’Leary’s sixth novel, Swept Away.

Since The Bookseller first interviewed O’Leary, about her debut The Flatshare in 2019, she has penned five books and sold over 500,000 copies for more than £3m through Nielsen BookScan, becoming a household name for heartfelt romantic comedies. While Swept Away contains the essential “O’Learyness” of all her novels – humour, lashings of romance and a sense of home – it stands out as her most ambitious work to date, combining a love story with an epic fight for survival.

The story follows Lexi and Zeke – full name Ezekiel – who meet at The Anchor, the only pub in the northern English town of Gilmouth, where the pair strike a deal. What follows is a playful prelude to a one-night stand aboard The Merry Dormouse, a houseboat docked in the marina. When they wake the next day, finding themselves afloat in the middle of the sea, a heated night quickly becomes a life-threatening adventure.

O’Leary manages to punctuate the book’s moments of gut-wrenching fear, injury, food rationing, flooding and desperation with levity. At one point, attempting to forget their bleak situation, Lexi and Zeke use the last of his phone battery to blast out Disney music, specifically – and to my delight – the Moana and Frozen soundtracks.

But the odds are stacked against them and, as the days elapse without sign of rescue, the pair shift between intense panic and reflection. When caught in these moments of quietude, they reach a profound understanding of each other – what makes them feel alive, who and what matters most to them and what they will do, hopefully, on their return. Set almost entirely on a houseboat, Swept Away is a cinematic and occasionally brutal story that pitches the grim desperation of survival against a deep, maturing love.

When the idea came to me, I remember thinking: ‘That’s an amazing idea, but I can’t do that. I won’t be able to
pull that off.’

The novel’s premise has been percolating in O’Leary’s mind for years. Speaking to me over video call from her writing shed that is being beset with chunks of hail, she explains: “When it came to me, I remember thinking: ‘That’s an amazing idea, but I can’t do that. That’s just so hard. I won’t be able to pull that off.’ I was only a couple of books in, and I didn’t have the confidence.”

But then “lots of things shifted” – O’Leary wrote The Road Trip and The No-Show, both of which “really challenged” her as a writer, and she became a mother. “All those things came together and suddenly I felt like I had the courage” to write the “boat book”.

One of the key relationships in the novel is Lexi’s bond with Mae, the daughter of her best friend Penny, who she has helped raise since birth. Adrift at sea, Lexi yearns to be reunited with Mae, and her longing comes to anchor the relationship with Zeke. “There’s nothing I won’t do to get you back to Mae,” Zeke tells Lexi after five days at sea.

Beth O'Leary © Holly Bobbins Photography
Beth O'Leary © Holly Bobbins Photography

“The tale of someone being lost at sea is really, in a lot of ways, a tale of early motherhood,” explains O’Leary; the story was inspired partly by the author’s own experience of becoming a mother. “I felt a little bit amazed at myself. I tend to think I’m not great at coping with challenge. That’s something that I am trying to ‘unsay’ about myself because I looked at what I was doing and was like: ‘Oh my god. You actually are doing this, and you can do hard things.’ It helped me become more grounded in myself and a little steadier on my feet. Having that challenge thrown at me and being able to run with it made me feel a lot more confident in other parts of my life too.”

The intensity of the relationship that develops between Lexi and Zeke captures some of O’Leary’s profundity while penning the novel. “I wanted to write a story that held something of the fierce love I felt for my little family,” she writes, in an author’s note to the proof copy. When we talk, O’Leary adds that she wanted to convey the “intensity of love and emotion” she felt “particularly in the first year” of motherhood for her baby and her husband. “It changed and strengthened our love for each other in this sort of state of crisis and exhaustion,” O’Leary laughs. “I really wanted to write a love story that captured the scale and depth of that kind of love, where you’re in love and up against it together.”

Swept Away is O’Leary’s first age-gap romance: Lexi is 31 years old and Zeke is 23. The eight-year difference highlights both of their vulnerabilities and, to my mind, challenges stereotypes surrounding age and maturity. Parts of Zeke’s character were created in “response to Lexi”, and his age is one of those things: “I knew that she had put herself to the side for so much of her 20s and I love the idea that maybe she needs to be with somebody who is a little bit younger, so they are encouraging her to still have that time.” As put by Zeke: “There’s more to a person than their age... You can’t just decide who I am because I am 23.”

Part of what Zeke challenges is Lexi’s relationships to others. She has been living her life in the service of others to such an extent that she has forgotten what it is like to do something for herself. The idea of letting someone else take care of her, O’Leary writes, is “alien”, it feels “totally decadent, almost shamefully so”. She reflects: “It would be lovely to think that a few people will treat themselves a little more after connecting with Lexi.”

One standout episode occurs when, still stranded after six days, the pair take turns washing the other’s hair. The seemingly quotidian act becomes intimate, indulgent even, a sign of Lexi’s vulnerabilities unspooling. “It’s so romantic because it’s taking something so mundane and making it special. So much of what happens on the boat has to be like that – everything is both everyday and extraordinary because of the setting.”

Swept Away is a testament to O’Leary’s strength and confidence as a writer and, deservingly, it has taken its place as the novel she is “proudest of” in her oeuvre. In keeping with the mood of the novel’s title, O’Leary hopes readers will have “that feeling of total escape”: “The feeling of: ‘I don’t want to do anything but read and I’ve forgotten everything I was worrying about today because I’ve been reading this book.’” Welcome aboard The Merry Dormouse.

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