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Caroline is deputy features editor at The Bookseller and chair of the YA Book Prize, as well as being a co-host of children's book radio ...more
Krystal Sutherland answers our questions about her novel House of Hollow (Hot Key Books), a gothic modern day fairy-tale about the mysterious disappearance and reappearance of three glamourous sisters, which has been shortlisted for the YA Book Prize 2022.
Caroline is deputy features editor at The Bookseller and chair of the YA Book Prize, as well as being a co-host of children's book radio ...more
House of Hollow is the story of three strange sisters – the Hollow sisters – who went through a mysterious and traumatic event when they were children. They disappeared for a month and then came back with no memory of where they had been or what had happened to them. They also came back slightly different – their hair and eyes changed colour, missing baby teeth grew back and they each had a small hook-shaped wound cut into the base of their throats.
Ten years later, the youngest sister, Iris, is trying to finish high school and live a normal life – something that is difficult to do in the shadow of her older sisters, both of whom are famous, glamourous and wild. Then the eldest sister, Grey, goes missing again and Iris and her middle sister, Vivi, have to confront and unravel the mystery of what happened to them as children so they can find and save their sister.
It’s a story full of glamourous catwalk models, grisly clues hidden in walls and ceilings, doorways that lead to unexpected places and a character with a devastating secret.
House of Hollow came from a scrapbook of different ideas that eventually merged together. The first spark came to me when I was hiking in a remote part of Australia with my sister and I thought, “What if I turned around right now and she was just gone?” If there was no sound, no struggle, no one else around, and no trace of her – it was such a horrifying thought.
The story really started to percolate after I visited Anuradhapura in Sri Lanka and saw “ghost doors” scattered around the forest – ruins where every part of a structure had fallen away except the stone doorframe. They felt at once inviting and dangerous, like fairy circles. I wanted to walk through one, but found myself afraid that if I did I might end up somewhere… else. Those two elements really drew me in and I started to build the story and characters and world around them.
Vivi and Grey were a lot of fun to write. They’re dream girls. They’re the women I wanted to be when I was growing up. Vivi is rough and wild and heavily tattooed. She’s borderline feral, a ball of walking chaos. Grey is the opposite. The height of glamour and the embodiment of utter control. I think Grey is the most morally grey (and appropriately named) character in the book, so I’ll say she’s my favourite.
Oh it’s hard to choose one! I really love writing scenes set in abandoned domestic spaces – the characters explore many different empty apartments and houses – because you can reveal so much about the inhabitants through the clues they leave behind in their homes. Other than that, it was a delight to luxuriate in the details: the smells, the textures, the creepiness of the sisters and the strange world they inhabit. House of Hollow is very rooted in scent. The milky smell of the girls’ skin, the stink of rot and smoke that seeps from the man that haunts them. Playing in the world of high fashion was also so much fun it didn’t feel like work. I spent a lot of time looking at designs by Alexander McQueen, Rodarte and Elie Saab to get a better idea of what Grey Hollow’s designs might look and feel like. As always, I was concerned that my Google search history might get me into trouble if anyone around me was killed, because I was constantly looking up things like “What does a dead body smell like?” and “How long does it take to burn a human corpse?”
It means a lot. I moved to the UK three years ago and until then I had never really found my people, you know? Writing can be a lonely, isolating pursuit and I really wanted to be part of a strong bookish community. UKYA welcomed me with such open arms: the authors, the readers, everyone. Releasing a book in lockdown was hard and disappointing in so many ways, but I’m so grateful to the YA community here for really rallying behind me and my book. To be nominated for this prize, to be recognised by this community that I love: I feel like I’m finally home.
I decided to become an author when I was, myself, a young adult. I started the first draft of my first (unpublished) manuscript when I was 18, so YA is what I was interested in reading and writing. Since then, the field has exploded and expanded and developed in so many interesting ways. It’s a field that really cares about diverse representation and inclusivity, about authentic voices, but it also pushes the bounds of form and genre. I love that. It’s an exciting and ever-changing playground to write in. Plus: nobody cares about books more than YA readers! Nobody feels words more deeply, nobody loves characters more profoundly. YA readers are the best readers, hands down.
Uglies by Scott Westerfeld. Not only was it my favourite book, but Scott was the first author I felt personally connected to because I read his blog religiously. Honestly, he’s the author who made me want to be an author, because he gave such a generous window into his life as a writer.
I have two tips: keep showing up and finish what you start. Both sound easy in theory, but are much harder in practise. Stephen King has a great quote about being at your desk at the same time every day, so the muse knows where to find you. You can’t wait for inspiration to strike; writing is work and therefore needs to be worked on.
That ties in nicely to finishing what you start. I hit a wall about 80% of the way into every project where self-doubt begins to bleed in. At first I thought it was because I wasn’t a very good writer; now I know that every writer experiences this and the pros are just those who’ve learned how to push through it and continue on despite despising every word they type.
The soundtrack from the Natalie Portman movie "Annihilation". I listened to that album so much that every single track on my Spotify end of year roundup for two years straight was by Ben Salisbury and Geoff Barrow.
As mentioned above, the movie "Annihilation" (and the Jeff VanderMeer book it was based on). Other movies: Ari Aster’s "Midsommar" and Peter Weir’s "Picnic at Hanging Rock". I think "Stranger Things" has very similar appeal to House of Hollow as well, if you’re one of the five people on the planet who hasn’t watched it yet. As for books: The Hazel Wood by Melissa Albert and Wilder Girls by Rory Power.