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The 2023 Diagram Prize for the Oddest Book Title of the Year shortlist sees publishers from the USA claim all six spots.
Tuck into some grits, crank up the Lynyrd Skynyrd and set yo’self down on the verandah with a mint julep, y’all, as the Southern US of A is the major story of the 45th Diagram Prize for Oddest Book Title of the Year. Five of the six books on the 2023 shortlist were released by firms hailing from Dixie, including two from Diagram powerhouse, North Carolina-based academic publisher McFarland & Co.
McFarland has risen from obscurity to claim its Manchester City-like grip on the Diagram, winning the last two crowns on the trot with 2021’s Is Superman Circumcised? and last year’s RuPedagogies of Realness: Essays on Teaching and Learning With RuPaul’s Drag Race. McFarland’s back-to-back Diagrams were a first, as were its record three shortlistings on the 2022 list. Alas, it is a “mere” two titles this time round for McFarland, though it becomes the only publisher to have hit the shortlist for three successive years. First up is a festive outing with The 12 Days of Christmas: The Outlaw Carol that Wouldn’t Die, Harry Rand’s look at the scabrous origins of that interminable song.
McFarland’s, ahem, number two title is I Fart in your General Direction: Flatulence in Popular Culture which has a good chance of the trophy if it gets a following wind. I regretfully admit there is a Diagram tradition for books referencing body functions doing well (shame on you, voters!), stretching back to the 10th winner, 1989’s How to Shit in the Woods: An Environmentally Sound Approach to a Lost Art, to recent champions such as A Dog Pissing at the Edge of a Path: Animal Metaphors in Eastern Indonesian Society (2020) and Cooking with Poo (2011). I feel obliged to say, as I do whenever mentioning the 2011 gong, that “Poo” is author Saiyuud Diwong’s nickname, and is Thai for “crab”.
McFarland’s two shortlistings are matched by a brace from University of Virginia Press. Jeremy Chow’s The Queerness of Water: Troubled Ecologies in the Eighteenth Century considers canonical texts such as Gulliver’s Travels and Frankenstein through an environmental and queer studies lens. Matthew F Jordan’s Danger Sound Klaxon! The Horn That Changed History, meanwhile, charts the “meteoric rise and eventual fall” of the Klaxon automobile horn. You know, the old fashioned one that goes “ah-wooo-ga”.
Our last Southern belle is the University of Georgia Press-published Backvalley Ferrets: A Rewilding of the Colorado Plateau which perhaps mines the same outdoorsy/slightly naughty seam as 2019’s winner, Charles L Dobbins’ hunting guide The Dirt Hole and its Variations.
We go north—and outside of academia—for the last entry but remain in the US with Dry Humping: A Guide to Dating, Relating, and Hooking Up Without the Booze, released by Philadelphia’s Quirk Books. An all-American shortlist is not unusual—it has happened six times in Diagram history—as the US has a surfeit of university presses (long the Diagram publishing heartland) and a wholesale lack of irony. Dry Humping, incidentally, was sourced traditionally, echoing the prize’s 1979 roots of trying to find the oddest titles at the Frankfurt Book Fair: newly fledged Greyhound Literary agent Philip Gwyn Jones spotted it on the Quirk stand at FBF 2023.
It is in your hands now, dear reader, as the shortlist goes to a public vote on The Bookseller website here. The poll is open until 1st December with the winner revealed on the 8th.
The author of Rumpelstiltskin’s Secret: What Women Didn’t Tell the Grimms looks at how a raucous drinking song became a festive favourite.
The “beguiling weasel” at the centre of this book is “more than a charismatic minifauna; it is the covert ambassador of a critical ecosystem,” says the author.
Charts the device’s lifespan from “metallic shriek that first shocked pedestrians” to its use in the trenches in the First World War.
The only non-academic contender is a “judgement-free” handbook from a podcaster and self-described “sober sexpert”.
“Covers every aspect of abdominal gas” in movies, music and TV, combined with “philosophical positions on colonic expression”.
An interdisciplinary look at classic canonical works and how “sea, rivers, pools, streams and glaciers all participate in a violent decolonialism”.