Beetle Boy creator M G Leonard on the key to screen adaptations

What have you learned about screenwriting?
Screenwriting is a collaborative process, just as film is a collaborative medium. To create a strong script that works for everyone, you need to know your characters and understand the requirements of the medium. This is something I’m learning.

It’s important to understand the essence of the project but allow everyone the creative freedom to produce their best work. Flexibility and knowing when to fight your corner, are key. I think my 15 years working in theatre has helped me considerably—there are many artists who jump between or combine the two mediums.

What tips would you give to those considering screenwriting?
Do it. At first, I was worried that I wasn’t a seasoned pro, but I had never written a book before I wrote Beetle Boy. I think if you want to try writing for the medium, you should give it a go. I’m addicted to learning. I am always pushing myself to understand the ways in which stories can resonate, whether it
is in the theatre, in a book or on the screen. Find the people whose work resonates with you and read everything you can about them and their work. It’s like a detective trail: they in turn will have been influenced by others and you’ll be exposed to great work and critically consider processes. See theatre, go to galleries, see film, watch TV and read, read, read. I bought my first book on screenwriting, Adventures in the Screen Trade by William Goldman, 20 years ago.

MG Leonard will be speaking at The Bookseller’s Children’s Conference on 24th September. Tickets are available here.